If you’re on a budget, I recommend the Rokinon DS line. With the addition of these focal lengths, shooters can expect another high value option for budget cinema lens sets. eval(ez_write_tag([[300,250],'4kshooters_net-banner-1','ezslot_7',145,'0','0'])); Continuing in the series comes the Panasonic Leica 12-60mm. Zoom lenses will often feature a variable maximum aperture depending on the focal length used. But opting out of some of these cookies may have an effect on your browsing experience. All this eats up precious time on set. Videomaker is always looking for talented, qualified writers. This makes the Fujinon MK T2.9 series perfect for run-n-gun doc shooters using Super 35mm camera systems, such as the Sony FS7. Strengths. These are two features usually found only on high-end lenses. Your email address will not be published. Zeiss CP.3 $4,390.00 at B&H Video View Price at Amazon . The Sony G Master 85mm has a manual aperture ring that can be set to operate for smooth, stepless changes, essential for video where you need to adjust for changes in light levels. By being informed and aware of the options, you’ll be able to find a lens that suits your needs. Additionally, it features a customizable focus-hold button and aperture ring with a click on/off switch. Credit: Vintage Cinema Lens Library . The current IS III USM generation is the best yet. Definition, Examples in Literature & Film, What is a Grip on a Movie Set? They feature a front diameter of 95mm, which is smaller than traditional cine lenses (114mm). This is your workhorse zoom, the run-and-gun kind of lens. We also use third-party cookies that help us analyze and understand how you use this website. For example, the Canon EF mount is a full-frame mount, while the EF-S is for Canon crop sensors. Sony has a limited number of lens options, which is why many Sony users will often bridge the gap with Sigma lenses both for A mount and E mount. Cinema prime lenses, on the other hand, have a fixed focal length and don't allow you to zoom in and out. The Yongnuo YN 50mm is very similar in design to the Mark II version of Canon’s famous “nifty fifty” with the body and lens mount made of plastic. What for you may ask? It’s noted as the maximum width to which it can open. It’s no wonder so many people agonize over new lens purchases. The constant maximum aperture of f2.8 gives a great low light performance and image sharpness is excellent even wide open. Upload images to make storyboards and slideshows. Its f/2.8 max aperture is constant throughout the full range of the zoom, providing an admirable shallow depth of field. Lenses at the extremes — super wide or extreme telephoto — are generally only used to achieve a specific creative effect. The narrow focus ring is at the front of the lens body and you would struggle to attach a focus gear for use with a follow focus. Not only is it versatile, but it has been field tested by rental houses over many years, and have worldwide sales and service. You’ll also find that most manufacturers, including Canon, Nikon, Sony, Sigma and Tokina, make very similar 24-70mm zoom lenses. This lens is mainly here because it fills in the missing focal length if you already have the two previous Sigma cine zoom lenses from above. 24mm is a nice focal length to have, but since it is a prime, you'll have to decide if it's as important as 35mm or 14mm. Necessary cookies are absolutely essential for the website to function properly. If this is an acceptable compromise to you, that’s good. One of the only drawbacks of these lenses is that the image becomes difficult to focus at T-stops wider than T2.8. The Best Cine Lenses for the Sony a7 III and Sony a7S III. It comes in a few hundred dollars under top competitors. The FE 20mm F1.8 G is dust and moisture resistant and has a fluorine front element coating. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. A cheaper and lighter version is available with a maximum aperture of f/4 for $1,100. Not really that wide at 28mm, and not really that telephoto at 135mm. The products must also deliver a superior user experience. Overall, it’s one of the best travel cinema camera you can buy. The lens is the most important part of a camera. The set is available in Sony E, Micro Four-Thirds, and X lens mounts and are currently available in focal lengths of 16mm and 25mm. Canon’s L-series glass and Super Spectra coatings limit flare and ensure the highest image quality in terms of color and contrast. A lens that has an F-stop of f/1.2 might have a T-stop of t/1.4, representing a .2 loss of light. Furthermore, it’s compatible with a variety of 67mm filters. This lens has image stabilization which is important for video, and while it is relatively expensive, it does come in at a better price point than Canon and Nikon versions of the same lens. The mount type is the first thing you need to consider with lenses. Let’s start off with the Panasonic Leica 42.5mm Nocticron. It costs about $1,650 for the set. This difference makes T-stops more consistent for cinematic applications. Zoom lenses come in two varieties: internal zooming and external zooming. Lastly, it also color matches with its zoom cousins (below). These are the best lenses available today. Nice focal range, good feeling on the focusing ring when working manually and a clear and sharp image. The Canon EF 50mm f/1.2 USM offers a usable level of sharpness even at maximum aperture and filmmakers will looking for extremely shallow depth of field won’t be disappointed. Likewise, lenses with wider maximum apertures will usually be more expensive. If you have a great idea you’d like to share with our readers, send it to editor@videomaker.com. However, Meike plans to release a 12mm, 35mm, 50mm, and 85mm sometime in late 2019. The Sony FE 20mm F1.8 G is a large-aperture ultra-wide-angle prime lens meant for portraits, astrophotography, landscape and street photography, as well as video. Full frame lenses work fine on any camera. While lenses with full frame coverage are generally more expensive, they’re also more versatile. The Sigma 24-70mm f/2.8 has a solid build quality and weighs in at nearly 2lbs. Partner with us to reach an enthusiastic audience of students, enthusiasts and professional videographers and filmmakers. What does that mean? The ZEISS CP.3 lenses feature advanced lens coatings, painted lens rims and special light traps within the barrel to eliminate unwelcome veiling glare and flares. Since then, there have been several generations of this sturdy, extremely versatile lens. Sigma seems to have focused purely on Sony and Leica when it comes to mirrorless mount compatibility, but they may soon have more options. Drool over this, the most popular lens among wildlife documentary filmmakers: Canon CINE-SERVO 50-1000mm T5.0-8.9; That’s it! Going toward the end of this list we have the Tokina 11-16mm f2.8. If you need help in deciding on a cine lens as opposed to a still camera lens, read what is a cine lens and how is it different from photo lenses? The lower the number, the wider the angle of view, allowing more of the scene to be captured. Click here to read my comparison of full frame lenses for large format sensors. So, it seems there are plenty of options in the market both used and new for this camera and in all the price range. But first, let’s take a look at the best lenses currently on the market. Lastly, it also color matches with its zoom cousins (below). The Ultimate Guide to Call Sheets (with FREE Call Sheet Template), How to Break Down a Script (with FREE Script Breakdown Sheet), The Only Shot List Template You Need — with Free Download, Managing Your Film Budget Cashflow & PO Log (Free Template), A Better Film Crew List Template Booking Sheet, Best Storyboard Softwares (with free Storyboard Templates), Who Are the Coen Brothers — Bio, Early Work and Film Style, What is an Antagonist? Best Sigma Cine Lenses Sigma 50-100mm T2 High-Speed Zoom Lens. You’ll still need to consider sensor size and lens coverage when using an adapter. When making a film or music video, there is always a chance to get some extra production value with a really long lens like this, so make sure to take advantage. This makes them more likely to keep their place in your arsenal over time. You’ll usually see this measured as the F-stop of a lens, for instance f/2.8, f/4 or f/5.6. Primes are okay, but not for handholding. As the shippings start to come in, the Blackmagic Pocket Cinema Camera 4K seems to be all the rage now. This lens focuses quickly and easily while providing a great deal of control, making it a good choice for both amateurs and professionals. Like its wider counterpart, this lens also features a Hyper Sonic Motor to improve its performance when focusing along with a nine-blade diaphragm which delivers a smooth bokeh. October 18, 2015 August 20, 2029 eyeranian Leave a Comment on Top 10 Best Cinema Lenses Canon Reviews Of 2020. If lenses are at different lengths and weights, it takes time to reposition your rig and adjust rod lengths. If you’re only going to purchase one cinema lens, the Sigma Cine 18-35mm T2 is hard to beat at a bargain price of $4,000. If I had to pick, I would go with the Zeiss CP.3 (Amazon, B&H) line, no doubt. The picture quality for all of the Sigma cine lenses is pretty consistent, so the only reason to choose one over the other would be your preference and the desire to cover the entire focal length range. The lenses are designed for APS-C/Super 35mm cameras. This isn’t a cinema lens, but you’ll be hard-pressed to find another telephoto zoom that gives you the quality and value at this price point. Create robust and customizable shot lists. Learn how your comment data is processed. NFS: Was there a common theme era to era? Paired with an MFT sensor with a 2x crop, a 35mm lens will have a field of view equivalent to that of a 70mm lens. The Sigma 24-70mm f/2.8 DG OS HSM Art is a great all-purpose lens. This can be a handy feature when using lenses on a camera that doesn’t have digital communication. A part of Sony’s high-end G Master line of lenses, a great deal of work went into to correcting a wide variety of spherical and chromatic aberrations resulting in a clean, crisp image. This means the plane of focus will be thinner. On the medium-budget side of things, there are two lines, both of which are good: I prefer the Zeiss CP.3 (Amazon, B&H) line, for these reasons: For the serious professional, the Zeiss CP.3 (Amazon, B&H) line offers the most focal lengths, if you want the entire range, that is. One point to note is that the lens is designed for use with APS-C sensors and will vignette on a full-frame DSLR. Aperture Control: Older lenses had manual aperture control in the form of a ring, just like the focus ring, that twisted to stop up or down. Were the brands more continuous over time, or were lenses more similar to other lenses made at the same time? This seems like the perfect match in size for a pocket camera. Most traditional anamorphic primes are made with a 2x factor, and it needs an aspect ratio of 4:3 to work. There are lenses made decades ago that, with proper adapters, can be mounted to modern cameras for stunning results. No image stabilization, but the macro ability is really useful. They are great lenses for cinema, documentaries, music videos, commercials, or any other high-end video needs. This lens is a bit more geared toward photography, but that doesn’t mean you can’t use it for filmmaking. Which Sony A7S III Video Mode Looks Best? The lens aperture iris diaphragm has nine rounded blades that provide a pleasant bokeh for shallow depth of field shots. It may be a little on the heavy side tough compared to the body you’re attaching it to. line, no doubt. Best cine prime lenses for the Sony a7 III and a7S III. The Canon EF 50mm f/1.2 USM can be a difficult lens to master as its low aperture will easily lead to overexposure but, for those confident in their abilities, the degree of control and precision provided by this lens is unparalleled. This is a lens that will capture images in 8K really well. Whether you’re buying your first or your twentieth lens, it’s important to know exactly what you’re looking. The Sigma Cine T2 series includes two zoom lenses at the focal lengths of 18-35mm and 50-100mm. When choosing a lens based on focal length, you’ll also want to consider your camera’s sensor size. The ZEISS CP.3 lenses are also color-matched to other Zeiss cinema lenses. The lenses are designed with standardized positioning of the focus rings and a consistent 95 mm front diameter to allow for fast and easy changeover between lenses while on set. It lacks some of the more advanced features of its expensive rivals, but for everyday shooting, there is little this lens can’t do. An additional support for heavy lenses so the E-mount isn’t taxed. It does help with minor shakes, however. These cookies do not store any personal information. For one, they often have a more robust build and lower tolerance for variation in their specs. Think of a shot where the subject is in focus and the background is very blurry; it was probably done with a wide open aperture, like f/2.8 or wider. Its autofocus features are not as robust as the higher-end zoom lenses but it more than makes up for that with its affordability. Most Cine lenses offer manual aperture control, but still photography lenses might not. It seems unlikely that any manufacturer will make great cine lenses in the sub-$1,000 price range, so the next best option is to modify a still lens for cinema work. Expensive for what you’re getting. The iris also influences the appearance of bokeh — or blur— in your image. Some of the Best All-Around Cinema Lenses. Another important factor of your lens purchase is the sensor format of your camera. There’s no single lens that suits every possible need; each has their own benefits and drawbacks. Build quality of the Sony G Master 85mm is very high and while the lens isn’t fully weather-sealed it offers dust and moisture resistance. Get Instant Access! Cine lenses are different from still lenses in a few ways. Another lens from Sigma’s well-regarded Art line, the Sigma 24-70mm f/2.8 DG OS HSM Art features a flexible zoom and a variety of focal lengths making it adaptable to just about any shooting environment or project. There are also manufacturers such as Sigma, Tamron, Rokinon and Fujinon that offer the same lens across several different mounts. There are few lenses that offer as much bang for their buck as the Tamron 28-75mm F/2.8. Disagree with our picks? We'll assume you're ok with this, but you can opt-out if you wish. If you lose digital communication, you lose the ability to autofocus. Check out these posts for more info on camera lenses: This is a nice fast prime lens with really good bokeh. Following up is a “pancake” lens, the Panasonic Lumix 20mm f1.7. It is for the video shooter for whom convenience of a single zoom outweighs all the negatives. Another “workhorse” here. The main types of sensors to consider here, from largest to smallest, are full frame, APS-C and Super35, and Micro Four Thirds. Click here to contact a sales representative and request a media kit. Canon released the first version of this industry-standard telephoto in 1995. SC Lannom is a screenwriter and director living in Los Angeles. The optical system has 11 optical elements in 9 groups — including 4 HR lenses, 1 ED lenses, and 1 ASP. Which one would you choose? The aperture is the opening in the lens that allows light to enter the camera. Furthermore, both lenses offer a macro mode, enabling you to shoot objects placed within inches of the lens. Reference ID: #182d7500-01b6-11eb-ac42-4fa38f459e00, If you think you were blocked by mistake, contact the site website administrator at info@adorama.com. Another fast prime lens with a lot of the same qualities of the 50mm. Sensors smaller than full frame come with a crop factor that will increase the effective focal length of your lens. This is the widest of the Sigma art lenses on this list, and it also happens to be the most expensive. The nine-blade diaphragm provides for a well-rounded bokeh in your shallow depth of field shots. They’re a handy tool, but if used, the drawbacks should always be considered. Featuring a breadth of apertures, from f/1.8 to f/16, this versatile lens is one of the most popular go-to lenses for filmmakers seeking a wide-angle zoom lens with great low light credentials. But, if you use a lens for a crop sensor on a full frame camera, the image will only cover a portion of the sensor. The Sigma Cine T2 is a stellar performer in low light, and offers a T2 stop throughout the entire zoom range. The auto-focus is quick and somewhat quiet, but there have been a lot of reported auto-focus issues with Sigma. Truth to be told, the Pocket isn’t weather sealed either, so you should consider some protection in any case. Great bokeh, even at the slower aperture rating. Prime lenses have one fixed focal length while zooms can be used to cover a range. Small, lightweight and compact, this is a perfect lens for the videographer-on-the-go. Both lenses can be purchased for less than $7,800 all-in, giving shooters a massive focal length range across two lightweight and versatile lenses. It is well worth the price you will pay. He works as a writer, director, and content producer here at StudioBinder. This is one of the best zoom lenses Sigma has to offer. This may happen as a result of the following: Please make sure that Javascript and cookies are enabled on your browser and that you are not blocking them from loading. The lens maintains good levels of sharpness, even when shooting at the widest aperture. There’s little the Sigma 18-35mm f/1.8 DC HSM Art can’t do. That’s it! I don’t think it’s good value for money. Samsung 980 PRO PCIe 4.0 NVMe SSD Boasts Speeds of Up to 7,000MB/s. Veydra mini primes have been one of the great innovation of the last years. Cine lenses are made for use in bad weather. Telephoto lenses are great options for filming at a distance, while wide-angle lenses allow you to capture expansive scenes. These suppress chromatic aberration and promise corner-to-corner image quality and minimal distortion even at the maximum F1.8 aperture. Unlike F-stops, T-stops represent how much light hits the sensor rather than how wide the aperture is. The E mount isn’t really designed to hold heavy cine lenses, especially zooms. There are a number of considerations in picking the right lens. Macro lenses allow you to film microscopic subjects in incredible detail. In general, lenses have a longer lifespan than camera bodies. These Sigma cine zoom lenses are a great choice for professional cinematographers, and they are really compact and well priced considering the price for a similar Zeiss zoom lens is twice as much. When investing in lenses, consider which cameras and mounts you anticipate using in the future so that you can continue to use you collection of lenses after your next upgrade. Although they allow you to use a wider range of the lenses, adapters also have drawbacks. There isn’t even an anamorphic desqueeze option in camera. The beautiful bokeh (complemented by a well-rounded, eight blade diaphragm), fast and accurate focus and numerous measures against aberrations make the Canon EF 70-200 f/2.8L IS III USM one of the most versatile zoom lenses on the market. On newer lenses, you might even lose the ability to change your aperture. Yes, and no. Seems like a perfect lens once you factor in the IS, but be warned, the focus mechanism is not very manual friendly. There’s a slight difference in color and contrast between the 16mm and 25mm, with the 16mm favoring more punchy, bluish tones and the 25mm favoring more neutral, greenish tones. It is mandatory to procure user consent prior to running these cookies on your website. Some lens mounts pair exclusively with cameras from the same manufacturer, but you’ll encounter cinema cameras using the EF mount, for instance, even outside of the Canon ecosystem. Not only is it versatile, but it has been field tested by rental houses over many years, and have worldwide sales and service. Assuming you have an excellent adapter that has been shimmed for focus accuracy, it also allows you these benefits: If you have a limited budget, then don’t look further than a Samyang/Rokinon Cine DS prime set (Amazon, B&H): I would start with a four lens set: 24mm, 35mm, 50mm and 85mm T1.5. The lens features a Hyper Sonic Motor for powerful focusing capabilities and full-time manual focusing override. The lenses are equipped with industry-standard de-clicked focus and iris gears, making it easy for an operator or 1st AC to quickly and accurately pull focus and/or efficiently swap lenses on set. Beautiful Optical Quality. The lens features two advanced aspherical elements and three extra-low dispersion glass elements. This website uses cookies to improve your experience while you navigate through the website. There are other cinema lenses that are half the price of the Irix Cine Lenses. The Sigma 24-70mm f/2.8 also has a number of protections against aberrations and an optical stabilizer system which is a great aid to help steady your footage when shooting handheld. All lenses share a T-stop range of 1.5-22, are tack sharp, and are built for full-frame sensors. The Star Wars universe has given the world so much. Links to the Sigma lenses may only have one option for a specific lens mount, but that does NOT mean that a Sigma lens for your camera doesn’t exist or is unavailable at the moment. The Videomaker Editors are dedicated to bringing you the information you need to produce and share better video. Required fields are marked *. Here are its advantages over the Samyang cine lenses: For those who don’t know, DS lenses are rehoused Rokinon primes with the focus and iris rings all at the exact same distance, so you don’t have to change follow focus or iris gears with every lens change. You’ll usually only find T-stops on cine lenses, since filmmakers especially value the consistency in exposure they provide. External zooming lenses are more common and more affordable. The three companies that have been doing this for a while and have sufficient track records are: These services don’t have a worldwide presence, so you must be aware that replacements and service will be slow; and if you want a quick replacement in an emergency you likely won’t find the exact same lens. If you only want the best for your set, the Zeiss CP.3’s performance is unparalleled. That’s important because this lens is truly built for sports or nature photography. If I’ve missed an important lens please let me know in the comments below. If you’re a hobbyist looking for a more affordable alternative, the Yongnuo YN 50mm f/1.8 Lens may be a perfect fit. eval(ez_write_tag([[336,280],'4kshooters_net-leader-1','ezslot_9',147,'0','0']));Last but not least a classic choice, the Zeiss Planar 50mm and Zeiss Planar 85mm, both f1.4. Stryker: I think it was really kind of interesting to see the patterns from the 1940s through the 1960s. Camera specs definitely matter, but even the best cinema camera won’t be able to deliver exceptional output if it falls in the hands of someone who can’t utilize it. Expensive - so make sure you need this lens. Contributors to this article include Erik Fritts, Robin Cripe and the Videomaker Editorial Staff. It’s also generally affordable with prices ranging from a several hundred dollars to a couple thousand depending on mount and manufacturer. eval(ez_write_tag([[300,250],'4kshooters_net-box-4','ezslot_3',144,'0','0']));This lens is fast. Constant f1.8 max aperture at all focal lengths, Not suitable for use with full-frame sensors, Color-matched to other Zeiss cinema lenses. The lens offers a constant f/2.8 through the entire zoom range, and its Optical Image Stabilization allows you to shoot a rock steady image — even at 200mm. eval(ez_write_tag([[300,250],'4kshooters_net-box-3','ezslot_6',143,'0','0']));As the shippings start to come in, the Blackmagic Pocket Cinema Camera 4K seems to be all the rage now. That saves a lot of time on set. Finally, if the outer diameter isn’t the same size, you will need different matte box adapters for each lens change. Internal zooming lenses are a better choice when accessories such as matte boxes are a factor. Price; The follow-up to the highly regarded CP.2, this line of cine lenses is one of the highest quality available on the market. It opens up to f1.2 and has a great sharpness wide open. Let’s not be under the impression that Rokinons/Samyangs can replace real cine lenses, but for bang for buck – they are unmatched. These are my suggestions for the best Canon lenses for video and cinema work. The lens’ built-in CPU allows for quick auto-focusing, though it can also be focused manually. This article will help you understand some of the key features that distinguish different lenses. A certain amount of light that comes into the lens is lost as it moves through the lens and camera. Because you have to crop from 3.55 to 2.39, the 84mm becomes a 125mm equivalent!! Better brand recognition, rental and resale value. If lenses are the same length, you don’t have to reposition the matte box with every lens change. This category only includes cookies that ensures basic functionalities and security features of the website.
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